美學觀點, 藝術美學

看韓裔藝術家梁慧圭「在不確定性圓錐中」雕刻時空

1971年出生的韓裔藝術家Haegue Yang(梁慧圭),曾獲巴塞爾、巴洛斯等藝術奬,她也是2018年沃夫岡罕獎得主。2019年11月至今年4月在邁阿密The Bass美術館的個展「在不確定性圓錐中」(In the Cone of Uncertainty),展示了梁慧圭過去十年的精選之作。

Haegue Yang,梁慧圭,The Bass Museum, 邁阿密
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HAEGUE YANG IN THE CONE OF UNCERTAINTY on view until April 5th at The Bass Museum, Miami, FL Central to In the Cone of Uncertainty is the daring juxtaposition of two major large-scale installations made of venetian blinds. Yearning Melancholy Red and Red Broken Mountainous Labyrinth are similar in that they are both from 2008, a year of significant development for Yang, and their use of the color red: one consists of red blinds, while the other features white blinds colored by red light.(….) Yearning Melancholy Red references the seemingly apolitical childhood of French writer and filmmaker Marguerite Duras (1914-1996). While living in French Indochina (present-day Cambodia, Vietnam, and Laos), Duras and her family experienced a type of double isolation in material and moral poverty, by neither belonging to the native communities nor to the French colonizers, embodying the potentiality for her later political engagement. Despite their divergent subject matter, both works continue to envelop an interest in viewing histories from different perspectives and the unexpected connections that arise. By staging the two works together, what remains is Yang’s compelling constellation of blinds, choreographed moving lights, paradoxical pairings of sensorial devices – fans and infrared heaters – and our physical presence in an intensely charged field of unspoken narratives. The exhibition is curated by Silvia Karman Cubiñá, Executive Director and Chief Curator, and Leilani Lynch, Curator, The Bass. #haegueyang #양혜규 #yanghaegue #sfmoma

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作品包含百葉窗裝置、擬人雕塑、光雕,及有如壁畫的壁紙⋯⋯透過各時期的作品,強調藝術家對這個世界的好奇,她持續不懈的實驗,探討錯綜複雜的身份變遷,藉著物件具體化難以言喻的觀念。

現居首爾與柏林兩地的梁慧圭,擅長運用工業生產的現成材料、藉著數位操作與密集的手工技術創作。

她融合的複合物,經常攸關個人、歷史與現實,透過敘事形式交織成身歷其境的作品,以暖爐、風扇、鐘等媒材召喚聲音與氣流等表演性。

她創造的環境看似熟悉,卻在時間與地點上帶有陌生感。通過大量的符號與觀念意象,藝術家賦予物件不同的意義。

這個展覽呈現出當代人對於氣候變遷的焦慮、人口過剩與資源短缺,暗示著我們對於 不穩定的未來有著渴望與絕望。作品的語境通過當代思想,與跨歷史與哲學性思考中,呈現各種置換與遷移的另類語言。

Haegue Yang,梁慧圭,The Bass Museum, 邁阿密

圖文來源/ARTE FUSE
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